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2:00 pm

“boom” – a Lend Us Your Ears staged reading

February 1 @ 2:00 pm - 4:00 pm

LEND US YOUR EARS, the reading series at the Bellingham Theatre Guild, continues with Peter Sinn Nachtrieb’s adult comedy boom on February 1st, at 2:00 pm.

The Pay-What-You-Will performance, directed by Sean Walbeck, is in the distant future, where a quirky docent takes you on the final tour of a museum diorama of the end of our world. A popular national hit, this dark comedy features local actors Desiree Roy, Diana Powell, and Jeffrey B. Stiglitz and contains adult language, some sexual content, adult situations and is not appropriate for children.

LEND US YOUR EARS (with the mission: Good Plays Read Well) produces matinee readings with local actors in front of the curtains, with general admission seating and the audience choosing what it wants to pay. No reservations necessary and any questions can be directed to LUYE Artistic Director, Sean Walbeck (sean@gigglewax.com, 360-647-9242).

boom is presented by special arrangement with Dramatists Plays Service, Inc., New York.

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7:30 pm


February 1 @ 7:30 pm - 9:30 pm
|Recurring Event (See all)

An event every week that begins at 7:30 pm on Thursday, Friday and Saturday, repeating until February 10, 2020

An event every week that begins at 2:00 pm on Sunday, repeating until February 10, 2020

$8 – $16

By Neil Simon and Anton Chekhov
Directed by Jim Lortz
January 24 – February 9, 2020

This Broadway hit is a composite of Neil Simon and Anton Chekhov. In one sketch, a feisty old woman storms a bank and upbraids the manager for his gout and lack of money. In another, a father takes his son to a house to initiate him into the mysteries of sex, only to relent at the last moment and leave the boy more perplexed than ever. In another sketch, a crafty seducer goes to work on a wedded woman, only to realize that the woman has been in command from the first overture. And let us not forget the classic tale of a man who offers to drown himself for three rubles. The stories are droll, the portraits affectionate, the humor infectious, and the fun unending.

A combination of Neil Simon and Chekhov, The Good Doctor, a comedy with music, is, by turns, charming, hilarious, sad, and touching. It centers around a writer, who speaks to the audience and shares his writing with them, throughout one day. He presents them with a plethora of scenes: some are from his childhood, others are his family and friends, and still others are his own life experiences. The audience meets a variety of characters, all of whom are immediately relatable and strikingly human.

"A great deal of warmth and humor in his retelling of these Chekhovian tales." —Newhouse Newspapers

"There is much fun here. Mr. Simon's comic fancy is admirable." —The New York Times

Produced by special arrangement with Samuel French, a Concord Theatricals Company

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