Week of Events
Monday, February 4, 2019
No events on this day.
Tuesday, February 5, 2019
No events on this day.
Wednesday, February 6, 2019
No events on this day.
Thursday, February 7, 2019
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February 7, 2019 -Almost, Maine
Almost, Maine
ALMOST, MAINE
By John Cariani
Directed by Teri Grimes
February 1-17, 2019
One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Friday, February 8, 2019
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February 8, 2019 -Almost, Maine
Almost, Maine
ALMOST, MAINE
By John Cariani
Directed by Teri Grimes
February 1-17, 2019
One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Saturday, February 9, 2019
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February 9, 2019 -4000 Miles, part of the Lend Us Your Ears reading series
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February 9, 2019 -Almost, Maine
4000 Miles, part of the Lend Us Your Ears reading series
LEND US YOUR EARS, the reading series at the Bellingham Theatre Guild, continues its second season with Amy Herzog’s 4000 Miles on February 9 at 2 pm.
The Pay-What-You-Will performance, directed by SuzyWillhoft, follows the journey of loss of a young man who completes a traumatic cross-country bike trip with an indefinite stay with his grandmother. One of the most-produced plays in the US, this is tragic-comedy of grief and reconnection features local actors.
4000 Miles contains adult language and adult situations and is not appropriate for young audiences.
LEND US YOUR EARS (with the mission: Good Plays Read Well) produces matinee readings with local actors in front of the curtains, with general admission seating and the audience choosing what it wants to pay. No reservations necessary.
4000 Miles is presented by special arrangement with Dramatist Play Service, Inc., New York.
Almost, Maine
ALMOST, MAINE
By John Cariani
Directed by Teri Grimes
February 1-17, 2019
One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Sunday, February 10, 2019
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February 10, 2019 -Almost, Maine
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February 10, 2019 -Auditions: Silent Sky
Almost, Maine
ALMOST, MAINE
By John Cariani
Directed by Teri Grimes
February 1-17, 2019
One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Auditions: Silent Sky
Because of the weather, auditions for Silent Sky are POSTPONED until Sunday 2/17 at 7 pm. Callbacks will be Monday 2/18 at 7 pm. For those who auditioned Feb. 10 and cannot make the Monday callback, please come to the Sunday 2/17 audition or contact Shawn Fuller at 360-647-9242 or fullerwalbeck@gmail.com. Thank you for your patience. Stay safe out there!
Upcoming Auditions
SILENT SKY
By Lauren Gunderson | Directed by Shawn Fuller
Auditions February 17, 2019 | Callbacks February 18, 2019
Performances March 29-April 14, 2019
The auditions will be cold readings and a few theatre games.
Contact the director, Shawn Fuller, fullerwalbeck@gmail.com, if you would like to check out a script ahead of time.
4 women, 1 man
Henrietta, 20s-30s
Margaret, Henrietta’s sister 20s-30s
Annie Cannon – 40s
Williamina Fleming – 50s
Peter – 20s-30s
THE STORY: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
